- Profile
- Resume
- Artist's Statement
現在、日本語版を書いているところです。とりあえず、写真ギャラリーやフォトブログをご覧ください。絵はバイリンガルです。よろしくお願いします!!
My interest in Japanese culture began my sophmore year of college when I learned that many of the Western artists I admire -- such as James Whistler, and especially Impressionist painters such as Claude Monet and Van Gogh -- received inspiration for their paintings from Japanese woodblock printers such as Hokusai and Hiroshige, whose work was imported to the West in the late 19th century. The striking way in which Japanese compositions used line to create form, and their exploration of figure-ground relationships, influenced the Impressionists profoundly. As a result, they became of real interest to me, and led me to read a great deal about Japanese art, especially that of the Edo period (1603-1867).
Because my B.F.A. major did not allow time for study-abroad programs, I took a year's leave to attend a study abroad program at Waseda University, thanks to a Freeman Asia Foundation scholarship and a JASSO scholarship from the Japanese government. Waseda offered no studio art classes directly, but I independently pursued my interest in Japanese art by working with the Nihon-ga artist, Kobayashi Hitoshi, and the woodblock printmaker, Itow Takumi. These artists were introduced to me by Mr. Kosugi Takuya, one of my professors at Waseda. Through the great generosity of Mr. Itow, I was able to study Japanese woodblock printing in his studio during the winter vacation, as well as the following summer. I went to Mr. Itow’s studio five days a week and worked alongside him making woodblock prints. In these prints I experimented with combining traditional Japanese motifs with the elements of day-to-day life in Tokyo. I continue working with Mr. Itow to this day and am greately indebted to him.
My artwork focuses on the urban landscape of Tokyo and its commuter lifestyle. While studying at Waseda, I spent almost four hours each week-day commuting from home to school. I came to find the trains and my fellow commuters immensely fascinating. I have elaborated on this theme in my artwork, employing a wide range of media including the printmaking techniques I learned with Mr. Itow, oil and acrylic painting, photography, as well as digital video installation.
To read more about the themes present in my artwork and their inspirations, please take a moment to read my artist's statement here. My artwork is arranged into different galleries based on media. You can peruse the various sections of the site using the Transfer Information map on the banner above.
I hope you enjoy your visit today. Thank you for stopping by!
2007 |
School of the Art Institute of Chicago, Chicago, Illinois |
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B.F.A |
2007 |
Studio Art |
Denison University, Granville, Ohio |
2004-2005 |
Waseda University, Tokyo, Japan |
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1999-2002 |
Scottsdale Community College, |
(*solo and two person shows denoted by asterisk)
2008 |
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Nippon Steel USA 2008. Nippon Steel USA Gallery. Chicago, Illinois |
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29th Annual Juried Photography Exhibition. Mills Pond House Gallery. St. James, New York |
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21st Annual McNeese National Works on Paper. McNeese State University. Lake Charles, LA |
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2007 |
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*Matthew Messmer. RoyGBiv Gallery. Columbus, Ohio |
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BFA/BA Juried Exhibition. University of South Florida |
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48th Japan Print Society Exhibition |
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departures: 2007 Senior Art Majors Thesis Exhibition |
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*Sotsuten. Burke Museum of Art. Granville, Ohio |
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18th National Drawing & Print Exhibition. College of Notre Dame |
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96th Annual Ohio Art League Spring Juried Exhibition |
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I’m Leaving You a Message; I’m Leaving You a Trace |
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Great Lakes Emerging Artist Competition |
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UMKC National Print Exhibition. University of Missouri – Kansas City |
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Agora Spring 2007. Junctionview Studios. Columbus, Ohio |
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Majestic National 2007. Magestic Galleries. Nelsonville, Ohio |
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Takumi no Kai Mokuhanga-Ten |
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2006 |
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2006 Hanga Forum. Higashi-Chichibu, Saitama, Japan. |
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47th Japan Print Society Exhibition |
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RoyGBiv Small Works Show. RoyGBiv Gallery. Columbus, Ohio. |
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The Five Colleges of Ohio 2006 Student Biennial The College of Wooster Art Museum. Wooster, Ohio. |
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*Painting and Photographing Japan |
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2005 |
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46th Japan Print Society Exhibition |
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Yonbiten. Shinjuku City Gallery. Tokyo, Japan |
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Senryokuten. Gakusei Kaikan, Waseda University. Tokyo, Japan |
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ARTiO Gallery Holiday Show. ARTiO Gallery. Granville, Ohio |
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2004 |
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Kaigakai Fall 2004 Exhibition |
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2007 |
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The School of the Art Institute of Chicago Distinguished Scholars Scholarship |
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48th Japan Print Society Exhibition, Honorable Mention 第48回日本版画会展、奨励賞 |
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College of Notre Dame 18th National Drawing & Print Exhibition Purchase Award |
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Agora Spring 2007, Couchfire Collective Award |
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2006 |
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Five Colleges of Ohio Student Biennial 2006, Juror’s Award |
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George B. Storer Foundation Scholarship, 2006-2007 |
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Denison University Vail Fine Arts Scholarship, 2006 |
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Denison University Dean’s List |
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2005 |
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George B. Storer Foundation Scholarship, 2005-2006 |
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Denison University Art Department Fellow, 2005-2006 |
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Denison University Dean’s List |
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2004 |
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Bridging Foundation Scholarship for Study in Japan, 2004-2005 |
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Freeman Asia Foundation Scholarship for Study in Japan, 2004-2005 |
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JASSO Scholarship for One-Year Study in Japan, 2004-2005 |
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Waseda University Dean’s List |
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Denison University Dean’s List |
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2003 |
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Denison University Marimac Scholarship for Fine Arts, 2003-2004 |
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Denison University Dean’s List |
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2007 |
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Claudine Isé, “Urban Developments,” Columbus Alive, November 15 2007 |
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Jacqueline Hall, “Made in Ohio,” The Columbus Dispatch, April 1 2007 |
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Creative Quarterly VII, Work published in Photography section |
Creative Quarterly VII, Work published in Fine Art section |
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Quick learner with a strong self-motivated desire to learn and acquire new skills. |
Intermediate fluency in Japanese. |
Highly skilled with both Windows and Macintosh computers and Adobe CS3 applications including Photoshop, InDesign, Premiere Pro, Dreamweaver, and Flash |
Experience with standards-based web design; knowledge of HTML, CSS, Javascript, CMS and Flash. |
Excellent computer skills including setting up, configuring and networking Macintosh and Windows computers for increased performance versus out-of-the-box configurations. |
Extensive knowledge of DAM (Digital Asset Management) workflow systems using Adobe Bridge, Adobe Lightroom and iView Media Pro. |
Background in both digital photography and alternative photographic processes including Cyanotype, Salt Prints, and Platinum Printing processes. Experience including studio photo shoots as well as high volume wedding photography. |
Over two years experience in art museums and galleries with duties ranging from collections management, conservation, matting and framing, and hanging and lighting. |
09/07 – Present |
Photographer, Gerber + Scarpelli Photography. Chicago, IL |
09/06 – 05/07 |
Lab Technician, Denison University Mulberry Intermedia Computer Lab |
05/06 - 09/06 |
Student Researcher, Denison University Young Scholars Program |
09/05 - 05/06 |
Departmental Fellow, Art Department, Denison University |
09/03 - 05/04 |
Exhibitions Preparations Coordinator, Burke Art Gallery, Denison University |
09/03 - 05/04 |
Teaching Assistant, Denison University Art Department |
04/06 - 04/07 |
President, Ludus Classical Civilizations Club, Denison University |
09/04 - 08/05 |
Member, Kaigakai (絵画会) Art Club, Waseda University, Tokyo, Japan |
01/03 - 05/04 |
President, Student Art Club, Denison University |
01/03 - 05/04 |
Art Editor, Exile Art and Literary Magazine, Granville, Ohio |
Artist's Statement
In Tokyo the night sky shines silvery purple, not quite the color of television tuned to a dead channel. Subway-staff on the platforms push commuters into trains so that each car can be filled with as many people as possible. I am one of those commuters. I live under that sky, so bright from light pollution that the buildings stand out as shadows against it. Some people might find these things repulsive, but I found them inspiring, and in the case of the sky, eerily beautiful.
My work focuses on the urban landscape of Tokyo and its commuter lifestyle. While living in Japan, I have at times spent almost four hours each week-day commuting from home to work. Taking this as inspiration, I have elaborated on the theme of commuting and the day-to-day lifestyle of Tokyoites in my photos and prints.
My status as an outsider in the largely racially homogenous Japanese culture works as a double-edged sword. While I can never assimilate and become fully accepted as a member of Japanese society, at the same time, I am afforded movement outside the system that a native Japanese person could never have. This status grants me a unique perspective different from that of a cultural insider.
In my photographs and woodblock prints, I explore the impact that the mixing of traditional Japanese culture and imported Western culture in contemporary Japan has on the citizens of Tokyo. Modern Japan is a mixture of these two influences, which has resulted in a unique culture in itself. At a first glance, the clean and relatively crime free Japan might look like a paradise to a tourist or someone unfamiliar with Japanese society. But underneath the surface of cherry blossoms and cute animated characters lay rigid social structures and conflicting cultural values that clearly have their effects on the citizens of Tokyo. In my work, I delve into these shared experiences, dealing with humanistic issues such as feelings of autonomy (or a lack there of) in a large group of people, gender roles and stereotypes, and issues of power and authority as seen in the urban environment.
© Copyright 2007 Matthew Messmer. All Rights Reserved